Sunday, 4 June 2017

I Married a Monster from Outer Space (1958)



A commendable sci-fi film with impressive camerawork, mature dialogue, effective special effects, and good acting - but one that deserves a much better title!


I Married a Monster from Outer Space is set in the fictional town of Norrisville, California where Bill Farrell is having his bachelor party on the eve of his marriage to Marge Bradley. After leaving the bachelor party, he is abducted by an alien that takes on his form. The alien “Bill” marries Marge the next day. It doesn’t take long, however, for Marge to feel that there is something different about Bill. After a year of marriage, Marge realises that Bill has become a completely different man!


How does Marge deal with this revelation?
What else is discovered about this impostor?
Who else has been affected?
What is the purpose of this strange alien invasion?


Directed by Gene Fowler Jr.
Produced by Gene Fowler Jr.
Written by Louis Vittes
Music by Daniele Amfitheatrof, Hugo Friedhofer, Leith Stevens, Franz Waxman, Victor Young
Cinematography: Haskell Boggs
Edited by George Tomasini
Production company: Paramount Pictures
Running time: 78 minutes
Budget: $125,000


Cast


Tom Tryon: Bill Farrell
Gloria Talbott: Marge Bradley Farrell
Peter Baldwin: Officer Hank Swanson
Robert Ivers: Harry Phillips
Chuck Wassil: Ted Hanks
Valerie Allen: Francine - Hooker
Ty Hardin: Mac Brody (as Ty Hungerford)
Ken Lynch: Dr. Wayne
John Eldredge: Police Capt. H.B. Collins
Alan Dexter : Sam Benson
James Anderson: Weldon
Jean Carson: Helen Rhodes
Jack Orrison: Officer Schultz
Steve London: Charles Mason
Maxie Rosenbloom: Max Grady (Bartender)



video

Trailer


What It Means To Be A Man

Despite the corny-sounding title, I Married a Monster from Outer Space, the film has a lot more depth to it than its title might suggest. For one thing, it speaks volumes on what it means to be a “MAN” in the modern world.

At the time the film was made, there was a lot more certainty surrounding gender roles and expectations. It would have been expected that males would wind up being the bread-winner and head of the family while women would be expected to be largely subservient home-makers and mothers.

As far as conventional male and female relationships is concerned, I Married a Monster from Outer Space calls into question the then contemporary concept of maleness. It even continues to do so sixty years later when right now in the early 21st Century many males often find themselves grappling with trying to figure out what their role in society is supposed to be. This can be quite a daunting task particularly at a time of re-evaluation of gender roles; the push toward gender equality; the increasing feminisation of society and perceived social & political correctness in matters concerning expressions and manifestations of maleness.

Read on for more......

Thursday, 1 June 2017

New Classic Sci-Fi Radio Play Page

NEW!!


  • Feel free to visit the new "Classic Sci-Fi Radio Play Page" (see above) 
  • Link to Page 
  • Every couple of weeks or so a different science-fiction themed radio play will be featured for your enjoyment.
  • New radio plays:-
  1. Early Model (1957)
  2. End As A World (1957)
Also, keep an eye out for the next classic Sci-Fi film for 1958 which will be posted soon. It will be "I Married A Monster From Outer Space." But don't let the title fool you! You'll see what I mean......

Wednesday, 24 May 2017

The new sci-fi double feature film page!

NEW!!

  • The sci-fi double feature film page (see above) will be featuring a double feature of classic science fiction films for you to view and enjoy. 
  • Link to page 
  • Keep visiting the page as a different double feature will appear every couple of weeks or so. 
  • There will also be links to any posts that might be on this blog about the films.

    So far we have shown;

    Attack from Space (1965)  

    Attack of the Puppet People (1958)
Next up we'll have;
  • Cat-Women of the Moon (1953) &
  • Spacemaster X-7 (1958)

Monday, 15 May 2017

A Tribute To Bert I. Gordon


The Amazing Colossal Film Worlds
Of
"Mister B.I.G."


One thing you may have noticed throughout a number of the films featured in this blog is the name of American film director, Bert I. Gordon. Gordon was famous for such science fiction movies as The Amazing Colossal Man, its 1958 sequel, War of the Colossal Beast and Attack of the Puppet People. (The last two films will be featured in this blog soon.)


Read on to find out more........

Wednesday, 10 May 2017

Classic Sci-Fi Film Ladies: Part 4 (1957 – 1958)


Welcome to yet another one of the tributes to the wonderful ladies who appeared in the classic sci-fi films of the 1950s. We’ll start off with…..



With Beverly Garland as Nadine Storey


Mr Johnson, an alien from the planet Davanna, has come to Earth seeking a new supply of blood because his people are dying out. Mr Johnson sends human specimens through a portal to Davanna. Nurse Nadine Storey and Mr Johnson’s chauffeur, Jeremy become suspicious concerning Mr Johnson’s activities and team up to investigate.

Read on for more......

Thursday, 20 April 2017

Giant from the Unknown (1958)


A rather cheap and pedestrian sci fi film with an absurd premise, lots of “stuff” happening, rather unconvincing acting, somewhat dull dialogue and a largely unimpressive “monster’ character. Perfect viewing fare for a rainy afternoon!


Directed by Richard E. Cunha
Produced by Marc Frederic, Arthur A. Jacobs
Written by Ralph Brooke, Frank Hart Taussig
Music by Albert Glasser
Cinematography: Richard E. Cunha
Distributed by Astor Pictures
Running time: 77 minutes



Cast


Ed Kemmer: Wayne Brooks
Sally Fraser: Janet Cleveland
Bob Steele: Sheriff Parker
Morris Ankrum: Dr. Frederick Cleveland
Buddy Baer: Vargas the Giant
Oliver Blake: Cafe Proprietor
Jolene Brand: Ann Brown (as Joline Brand)
Billy Dix: Indian Joe
Gary Crutcher: Charlie Brown
Ned Davenport & Ewing Miles Brown: Townsmen


video

Trailer



In your endless wanderings throughout the 1950s classic sci-fi universe, you manage to trudge into yet another film world, this time with your coat collar turned up high around your neck and your coat buttoned up tightly against the onslaught of wind and rain from a thunderstorm. As you make your way through a mountain forest, you fail to notice a warning sign in the form of a 16th century axe embedded in a log of wood.

Read on for more…..

Thursday, 30 March 2017

Fiend Without a Face (1958)


More than just another atomic cautionary tale that is saved by a rip-roaring climax with a pretty nifty use of stop motion animation.

Directed by Arthur Crabtree
Produced by John Croydon & Richard Gordon
Written by Herbert J. Leder
Music by Buxton Orr
Cinematography: Lionel Banes
Edited by R.Q. McNaughton
Production company: Amalgamated Productions
Distributed by MGM (USA), Eros Films (UK)
Running time: 77 min.
Budget: £50,000 (estimated)
Box office $650,000 (on double bill)



Cast


Marshall Thompson: Maj. Cummings
Kynaston Reeves: Prof. R.E. Walgate
Kim Parker: Barbara Griselle
Stanley Maxted: Col. Butler
Terry Kilburn: Capt. Al Chester
James Dyrenforth: Mayor
Robert MacKenzie: Const. Gibbons
Peter Madden: Dr. Bradley
Gil Winfield: Dr. Warren
Michael Balfour: Sgt. Kasper
Launce Maraschal: Melville
Meadows White: Ben Adams
E. Kerrigan Prescott: Atomic Engineer
Lala Lloyd: Amelia Adams
Shane Cordell: Nurse




video

Trailer






U. S. Air Force Interceptor Command Experimental Station No. 6 is a long-range radar installation located in Winthrop, Manitoba, Canada. Its function is indicated by the periodic overhead slicing of the sky by supersonic jets and the demented electronically choreographed nodding and swivelling tracking motions of the radar antennae.

As darkness slowly and silently slides over Air Force experimental station 6, a sentry stops to light up a smoke when suddenly he hears strange sounds emanating from the nearby woods. A scream from the woods brings the sentry running to investigate where he soon finds the body of a man with a hideously distorted face.


Read on for more......